As an artist I invite the audience to become part of a personal spectacle of thoughts, interests and cultural discoveries. Whilst simultaneously providing space for the viewer to discover an introspective view of their own. Despite later ambitions of creative directing, my current, yet recently established practise, focuses on the reduction of visuals to provide elevation of conceptual theory.

"Carnival brings together, unifies, weds and combines the sacred with the profane, the lofty with the low, the great with the insignificant, the wise with the stupid." 

- Victor Daniels on Kurt Lewin.

Projects

  • CRITICAL STUDY - THE STUDIES SHOW A WHITE SPACE
  • MILK, MULTI-SENSORY EVENT
  • TOGO SEX A WEAPON OF BATTLE?
  • ITT-KAYME-AOUT-OV-DIE-A-LOG (I.K.O.D)
  • SOUTH AFRICA - THE MOTHER CITY
  • 'W' THE WO'MAN
  • DBA BRIEF-BUILDERS TEA
  • MOBILE ARCHIVE - ISRAELI CENTRE of DIGITAL ARTS.
  • TANGLED-23.03.13 M & IBI
  • MAKING SOMETHING SOFT,HARD - M.S.S/H
  • THE WRITINGS & LISTENINGS OF M Side project (in association with I.K.O.D)
  • M - FINAL SUBMISSION 10.05.2013

  • Project Overview - TOGO

    ‘Sex the weapon of battle.’ I came across this quote in a copy of Stylist magazine on the tube in London. The magazine often has columns informing its audience of female current affairs. Female sexual empowerment is an area I have divulged into previously, mainly due to music choice and social culture I reside in.  However this article and future scrutinizing led to me understand a different side to sexual empowerment. The women of Togo in West Africa were withholding sex from their partners with the aim to make a stance against the current government. I was awakened and stimulated by the comparison of our femininity being as influential and virile as a manmade weapon. My aim for this project was to illustrate insight into an under promoted news story. To create visual signifiers providing snippets of information concerning the current situation in Togo surrounding the sex ban. This could take the form of a book and a short film of a regimented march. A pattern was to be created as the statement signifier of the Togo brief. I aimed to look into protest art as its vicious yet vibrant ability to communicate a distress would support this brief perfectly. Following this a ‘no order’ approach was a requirement set by her to provide a reflection on the rebellion of protest and its irregular form. Therefore a postcard medium was used as apposed to a ordered book.